Posts Tagged With: John Wilkes Booth

An Assassination Cane

An Interesting Artifact

The collection of the Abraham Lincoln Library and Museum in Harrogate, Tennessee contains many fascinating artifacts relating to the 16th President. Among their collections is a cupboard made by Abraham’s father, Thomas Lincoln; a china set owned by the Lincolns in their Springfield home; a lock of Willie Lincoln’s hair taken from his head after his death; and a massive archive of art, books, manuscripts, photographs, and ephemera relating to Lincoln. One of the most famous artifacts in the museum, however, is an ebony cane topped with a sterling silver knob handle which bears the inscription “A. Lincoln”.

Compared to modern canes which are mainly used as functional tools to assist in walking and balance, this 35.5 inch long cane owned by Lincoln was solely a fashion piece. Short canes, or walking sticks, were very common accessories for men during the Victorian era. Many men carried canes as evidence of class and elaborate canes were common affectations designed only to impress or convey prestige. For example, Lincoln’s future assassin, John Wilkes Booth, was often photographed with walking sticks. Since Booth would often give out these photographs to friends and admirers, the cane helped to subtlety reinforce his self-image as a member of high society.

While Lincoln was not known to crave prestige, canes were also often presented as gifts. Visiting dignitaries often received decorative canes as tokens of esteem. There are many accounts of Lincoln being presented with canes during his career as a lawyer and politician.

The question remains then, why is the Lincoln cane at the ALLM one of the highlights of the museum’s collection? What sets it apart from any number of canes that are said to have been owned or presented to Lincoln? Well, this cane is said to have been with Abraham Lincoln when he was assassinated at Ford’s Theatre on April 14, 1865.

The Provenance

The Lincoln cane arrived in the collection of the ALLM on September 10, 1929. It was given to the museum by a former resident of Troy, New York named Joseph Mayhew. In his donation of the cane, Mr. Mayhew included two notarized letters conveying the history of the cane. One letter was written by Mr. Mayhew and the other was by his sister, Emma Cuenin nee Mayhew. The following is from Emma’s affidavit:

“In 1875 my father, Stephen Mayhew, was the proprietor of a grocery and meat market at the corner of Fifth and Ferry Streets, Troy, N.Y. After school I would often wait on the customers who came into the store. This was when I was about 11 years old.

I remember a man and his wife named Phelps trading at the store. Phelps was an actor. He would purchase groceries and meats and then charge them. When his bill amounted to about $40.00 and he was unable to pay he offered father Abraham Lincoln’s cane in lieu of the bill. Father accepted the cane as payment in full.

Phelps related how he became possessor of Abraham Lincoln’s cane, saying that he, Phelps, was an actor having a minor part in the play at Ford’s Theatre in Washington, D.C. on the night President Lincoln was assassinated. In the excitement that followed Lincoln’s being shot Phelps entered the President’s box and seeing the cane in the corner where Lincoln left it he picked it up and kept it as a memento.

Father often carried the cane, making no secret that it at one time belonged to President Lincoln.”

Stephen Mayhew continued to own and display Lincoln’s cane to his friends and neighbors. According to the affidavits, the display of the cane caused jealously among a certain Troy resident who sought to claim the cane as his own.

“Some litigation was started concerning the cane, as a man named Kisselberg though he would like to gain possession of it. My father’s interests in the matter were defended by a lawyer named Palmer. After spending some money and time in the courts Palmer caused the cane to be sold at Sheriff’s sale in order that a clear title could be obtained. It was bought in for my father.

During the litigation a letter was written to Lincoln’s son concerning the cane, in which it was explained how father became possessor of it. Lincoln’s son replied, stating that as long as father had obtained it through an honest debt he was entitled to it.”

Joseph Mayhew’s affidavit contains a bit more detail regarding the legal battle concerning the cane, but fails to mention the detail regarding Robert Todd Lincoln’s involvement in the case:

“At a later date, when it became generally known that my father had the cane in his possession, it was seized by the local authorities. It was kept for a time by the Sheriff of Rensselear County and also in a jeweler’s safe. This jeweler’s name was Kisselberg and his place of business was on River Street in Troy, N.Y.

My father took legal action to recover the cane. He engaged a lawyer, named Palmer. Palmer caused the cane to be sold at Sheriff’s sale and bought it in for my father so that my father would have a clear title to it. The litigation cost my father between eighteen hundred ($1800.00) and two thousand ($2000.00) dollars.”

After recovering his property, Stephen Mayhew continued to own Lincoln’s cane. In 1914, Stephen gave the cane to Joseph. The elder Mayhew died in 1917.

With these two pieces of evidence in hand and a priceless, highly fought over, silent witness in their collection, the assassination cane has been a centerpiece of the ALLM’s collection for years.

Recently, I have been looking through my files relating to my own visit to the ALLM back in 2014. Though I was only able to spend a brief period of time researching in their archives, I was amazed at the breadth of their collection. I previously did a blog post about a letter owned by conspirator Samuel Arnold that is in the museum’s collection. In revisiting my files, I decided it would be worthwhile to publish a quick post about the Lincoln cane with the intention of bringing about some more awareness to this unique artifact. After a bit of research into this cane and the provenance behind it however, I have come to an unexpected conclusion.  I do not believe this cane was at Ford’s Theatre on April 14, 1865.

The Research

Near the end of Joseph Mayhew’s affidavit he mentions that when his father finally presented the cane to him, it was also accompanied by, “a copy of ‘The Trojan Observer,’ a newspaper dated Monday, January 26, 1880, and published at Troy, N.Y. This newspaper contains an account with reference to the Lincoln cane.” It turns out that the seizure and legal battle concerning the cane was a newsworthy event. The local Troy papers talked about the recovery of the cane and how it would, undoubtedly, be returned to Robert Todd Lincoln. The story of Lincoln’s cane was reprinted across the country. The newspapers, likely getting their information from Stephen Mayhew, reported that the man who recovered the cane was named A. R. Phelps, the stage name of actor Alonzo Raymond Phelps. This name concurs with the Mayhew children’s statements years later. Also helpful to the Mayhews’ statements is the fact that Alonzo Phelps, for a brief period of time in the mid 1870s, did reside in Troy, NY as evidenced by his inclusion in a Troy city directory.

From this point onward, however, the evidence against the cane’s provenance begins to add up. By consulting Thomas Bogar’s impeccably researched book, Backstage at the Lincoln Assassination, one finds that Alonzo Phelps did not perform in Our American Cousin at Ford’s Theatre that night. He was not part of the Ford’s stock company and was not a member of Laura Keene’s visiting troupe. The idea that Phelps was acting at Ford’s Theatre on the night of Lincoln’s death is not supported by the evidence.

The question then becomes, if Phelps did not perform at Ford’s Theatre that night, was it possible for him to be there in the role of an audience member instead? Unfortunately, that does not appear to be likely.

The entry for A. R. Phelps in the 1870 edition of Brown’s History of the American Stage states that, “in 1854 [Phelps] sailed for California, in company with the Denin Sisters, where he opened in ‘Love’s Sacrifice,’ on April 10 of that year. He remained on that coast, playing through California, Oregon, Nevada, etc., until 1866, when he took the overland trip to New York.” Further research demonstrates Phelps’ long residence in California where he worked as both an actor and a theater manager. In 1856, for example, A. R. Phelps and fellow actor Junius Brutus Booth, Jr. leased the Union Theatre in San Francisco. Among the actors the business partners brought in that season was June’s younger brother, Edwin Booth, who was just beginning his starring theatrical career.

Phelps stayed in California during the course of the Civil War and the evidence indicates that Phelps was likely still in California when Lincoln’s assassination occurred. In addition to the entry in Brown’s History of the American Stage which states that Phelps did not return east until 1866, we also find A. R. Phelps’ name in the 1864 and 1865 city directories for San Francisco. Newspaper advertisements also indicate that he was performing at the Metropolitan Theatre in San Francisco as late as March of 1865. With the journey between San Francisco and New York lasting about a month in those days, it is extremely unlikely Phelps was on the correct coast when Lincoln was assassinated. The bulk of the evidence points to him still being in California when Lincoln was killed.

With it having been established that Phelps was not performing at, or likely even near, Ford’s Theatre on April 14, 1865, the provenance of the “assassination” cane is dealt a significant blow. What is interesting, however, is that this is not the first time the authenticity of the cane has been questioned. In fact, the true history of the cane may have very well been established back in 1880 when the initial reports went out about its recovery from Stephen Mayhew. An article, originally published by the Troy Evening Standard and reprinted by other newspapers across the country, gives a different history of where this cane came from:

“Many years ago, when President Lincoln was a poor lawyer in Springfield, Illinois, he carried about with him a plain ebony cane, with a silver ferrule, marked ‘A. Lincoln.’ The cane may have cost $5.

When Lincoln found himself in Washington he still carried the old ebony, being loath to part with his old friend. One day a delegation of friends waited upon and presented him with an elegant modern cane with an elaborately engraved gold handle. He accepted the gift more to accommodate his friends than to please himself. The old cane was given to a trusty valet who often frequented a prominent restaurant in Washington, where nightly assembled many professional men, actors, lawyers and musicians. Among the number was A. R. Phelps, the first manager of the Grand Central Theatre. Hard pushed for money, the valet pawned the cane with the proprietor of the restaurant, and from the latter it passed into the hands of Phelps. In his vocation as a theatrical manager and actor Phelps struck Troy some three or four years ago, and assumed the management of the Grand Central Theatre for Thomas Miller, the proprietor. Finally adversity overtook him. Misfortune fell heavily upon him, and he with his wife and six children was left in the direst distress, and he pawned the cane to a down-town citizen for $25. He then left town and has not since been seen here…”

If accurate, this article paints a very different story as to the circumstances surrounding Alonzo Phelps’ attainment of Lincoln’s cane. Rather than having retrieved the cane from the President’s box at Ford’s Theatre, Phelps is said to have received the cane as a gift from a restaurant proprietor in Washington on an undetermined date. In addition, the article claims that the cane was one purchased by Lincoln himself while living in Springfield and given away by the living Lincoln when he received a different one in Washington. While the article does not provide any sources for the history behind Lincoln’s cane, it is clear that at least some research was undertaken in its reporting. The article gives the circumstances of Phelps’ residence in Troy in the mid-1870s stating that he was the theatrical manager of the Grand Central Theatre. This appears to be backed up by a January 20, 1877 article in the New York Clipper which announced that Phelps was to receive a complimentary benefit at the Grand Central Theatre.

However, there are some small discrepancies in the article as well, such as the amount Phelps owed to Mayhew ($25 vs $40) and the number of children Phelps had at the time (6 vs 5). In addition, the article goes on to recount the involvement of Robert Todd Lincoln in attempting to recover the cane:

“Robert T. Lincoln, son of the dead President, learning that the cane was in this city, corresponded with Chief Markham with a view of obtaining possession of it. Yesterday morning Markham received track of its whereabouts and served a search warrant upon the proprietor of a meat market at the corner of Federal and North Fourth streets. There the cane was recovered. In the police court yesterday afternoon, before Justice Donohue, the matter of the disposition of the cane was taken up, and postponed for two weeks. It is supposed Phelps gave the cane as security for the meat consumed by his family.”

According to this article, Robert Todd Lincoln was taking an active role in the recovery of his father’s cane. This is in contrast to the Mayhews’ statements which claim the seizure of the cane was brought upon by a jealous and covetous neighbor and that it was a letter by Robert Lincoln which allowed them to retrieve the artifact. After some further digging, however, it appears that neither set of these circumstances are true.

Between 1903 and 1926, Robert Todd Lincoln maintained a correspondence with a former journalist named Isaac Markens of New York. Markens was studying Abraham Lincoln and wrote many letters to Robert asking him questions about his father. Markens published a few pamphlets on Abraham Lincoln and was said to have been working on a full biography of the President that was never completed. In the 1960s, the 82 letters written by Robert Lincoln in answer to Isaac Markens’ questions were donated to the Chicago Historical Society. In 1968, the CHS published the bulk of the letters as a book titled, A Portrait of Abraham Lincoln in the Letters by his Oldest Son. While the book does not contain the original letters Markens sent to Robert, it seems clear that at one point Markens came across one of the 1880 newspaper stories regarding the assassination cane and decided to ask Robert about it. The following is part of a letter Robert Lincoln sent to Markens on January 25, 1918 in which he discusses the cane:

“The story about the cane is queer. I think I should have remembered any such events as are described in it if they had occurred, and I do not. I do not think there is a word of truth in the story. I do not own any cane ever possessed by my father, and I never took any interest in any such cane. He never used a cane himself at all. At various times in his life there were presented to him canes. I remember such things, but he never cared anything about them, and gave them no attention. I think it is true that after his death my mother gave away to servants some canes which had come to him in Washington, for which none of us had any regard whatever. Such canes may be in existence, but they possess no real interest in connection with my father.

Very sincerely yours,

Robert T. Lincoln”

In this letter, Robert Lincoln makes it clear that he never had any involvement regarding a cane belonging to his father. This is in contrast to both the newspaper articles and the affidavits from the Mayhews. Nevertheless, Robert Todd Lincoln is a more reliable source on these matters than the other two and his statement must carry the most weight.

Conclusions

We are left with an “assassination” cane whose provenance is full of holes and half-truths. Each piece of the story can be broken down into categories of likely and unlikely.

It seems likely that Alonzo Phelps gave Stephen Mayhew a cane in exchange for a debt the actor owed the grocer. This piece of the story is consistent across all sources and there is evidence that places Phelps in Troy during the applicable time period.

It seems highly unlikely that Alonzo Phelps retrieved the cane from the President’s box at Ford’s Theatre on the night of Lincoln’s assassination. Evidence proves that Phelps was not performing at Ford’s Theatre in direct contradiction to the claims of the Mayhew family. Given Phelps’ established residence in California up until March of 1865, it seems incredibly unlikely that he was even in Washington, D.C. that fateful night.

It is unlikely that this cane was even carried by Abraham Lincoln to Ford’s Theatre on April 14th. For this point we have two pieces of evidence. The first, and admittedly weaker, piece of evidence is Robert Lincoln’s assertion that his father did not regularly carry a cane. Since Robert was not a witness to his father’s assassination, this piece alone does not prove much. However, there was an eyewitness to Lincoln’s assassination who publicly disputed the idea that Lincoln carried a cane with him that night. After the story of Lincoln’s cane was published across the country in 1880, a brief retort was published in Washington, D.C.’s the Evening Star. The article stated, “The story telegraphed from Troy about the recovery of a cane stolen from Mr. Lincoln’s box in the theater on the night of his assassination, is pronounced by Mr. Charles Forbes, who was an usher at the White House at the time, to be false, as Mr. Lincoln had no cane with him.” Though the brief article failed to mention it, Charles Forbes was far more than just a White House usher. Forbes had accompanied the Lincoln party to Ford’s Theatre that night and he was the one sitting outside of the President’s box when John Wilkes Booth approached. Booth presented Forbes with a calling card of some sort and Forbes allowed Booth entry into the box. Forbes is a very reliable witness in this matter and his claim that Lincoln had no cane with him that night is further evidence against the cane’s reported history.

Charles Forbes, the man who sat outside of Lincoln’s box and allowed John Wilkes Booth to enter. He denied Lincoln carried a cane that night.

After looking at all of the evidence, I do not believe the “assassination” cane held by the ALLM was ever with Lincoln at Ford’s Theatre on April 14, 1865. The most likely history of this cane, in my mind, was largely laid out by Robert Lincoln. We know that Abraham Lincoln was presented with many canes during his lifetime. The Lincoln Financial Foundation Collection contains an entire file folder of clippings relating to Lincoln canes. In addition to ones gifted to him, Lincoln himself was known to present canes as gifts. In 1864, for example, 19 silver headed ebony canes were purchased by the government and presented to the 19 governors of the Pueblo tribes in New Mexico. Each of these canes were engraved with the name of the governor and also the name of the President “A. Lincoln”. In his letter, Robert Lincoln mentions how, after his father’s death, Mary Lincoln gave away canes that had been presented to her husband. I believe a situation similar to this likely occurred with the cane at the ALLM. Somehow, perhaps from a restaurant owner in D.C. as the newspaper account stated, Alonzo Phelps acquired a cane that had, at one time, been owned or presented to Abraham Lincoln. Phelps cherished the cane until he was forced to part with it in Troy in the 1870s to Stephen Mayhew. Over time, either through outright lies or faulty memories, the story of the cane morphed, giving it a far more dramatic backstory. Lincoln Memorial University was more than happy to acquire this unique piece for their growing Lincoln collection and the two notarized statements from the Mayhew children were provenance enough in the 1920s. However, with the help of modern tools and resources, we can more deeply investigate the provenance behind artifacts like the Lincoln cane. While such investigations may lead to disappointing conclusions, like the debunking of a cherished Lincoln artifact, the process is an important part of evaluating and reevaluating what we think we know about the past.

References:
Abraham Lincoln Library and Museum (ALLM)
Provenance records for President Lincoln’s cane at the ALLM (80.0379)
Backstage at the Lincoln Assassination by Thomas Bogar
San Francisco Theatre Research: Theatre Buildings Vol. XV Part 1 edited by Lawrence Estevan
History of the American Stage (1870) by T. Allston Brown
San Francisco City Directory, Oct 1864 and Dec 1865 accessed via Ancestry.com
“Lincoln’s Cane” Troy Evening Standard article reprinted in the San Francisco Bulletin, February 2, 1880
A Portrait of Abraham Lincoln in Letters by his Oldest Son edited by Paul M. Angle with assistance of Richard G. Case
Charles Forbes Statement in the January, 23, 1880 edition of the Evening Star
Lincoln Financial Foundation Collection: Canes Owned by Lincoln file, Cane – Assassination file
“At the Griswold Opera-House, Troy, N.Y. …The veteran actor and manager A. R. Phelps, and wife, who recently resigned from the Griswold Opera-house, are to be the recipients of a complimentary benefit at the Grand Central.” – The New York Clipper January 20, 1877

Categories: History, News | Tags: , , , , , , | 14 Comments

Lewis Powell at Gettysburg

The Battle of Gettysburg is among the most well-known of all Civil War battles. While, today, many view it as an important turning point of the Civil War, Gettysburg’s original notoriety was derived from the sheer number of soldiers who fought and died there in July of 1863. Over one hundred thousand men from the Union and Confederate armies fought in the foothills of Pennsylvania during the three day battle. Four months after the battle, President Abraham Lincoln would speak at the dedication of a national cemetery in Gettysburg to honor the sacrifice of the Union soldiers who were lost during the fight. His speech, known as the Gettysburg Address, is among one of the greatest speeches ever written and it also helps to propel the Battle of Gettysburg in the minds of people today. Many wonderful texts have been written about the actions of the famous Union and Confederate officers who squared off in this pivotal battle. The movements of their units are depicted and recounted on monuments and signs throughout the Gettysburg National Military Park. In the sea of ranks, infantry, and units, it is difficult to adjust one’s view to consider the stories of individual soldiers. To each soldier who fought, Gettysburg was its own unique experience with very few being exactly alike. However, as Walt Whitman so noted, “the real war will never get in the books,” and so many of the stories of the common men and women of the Civil War are unrecorded. However, thanks to the research of author Betty Ownsbey, we do know at least some of the Gettysburg experiences of a 19 year-old private with the 2nd Florida Infantry named Lewis Thornton Powell.

When Abraham Lincoln was elected President in 1860, Lewis Powell was a teenager living in Hamilton County, Florida. The Sunshine State seceded from the Union in January of 1861, and shortly thereafter Lewis made up his mind to enlist in the Confederate army. On May 30, 1861, Lewis Powell joined up with the Hamilton Blues which later became a company of the 2nd Florida Infantry. Powell was 17 years old at the time of his enlistment, below the age requirement of 18. To get around this, the tall and muscularly built Powell claimed to be 19 years old.

In a time before widespread identification methods, Powell was apparently taken at his word. It wouldn’t be the last time Powell would lie about his identity.

Powell’s early military career was plagued by visits to base hospitals for different illnesses. Despite this, when his one year term of serviced ended in 1862, Powell chose to re-enlist for the duration of the war and claimed the $50 bounty that was offered for re-enlistment. As part of the 2nd Florida Infantry, Powell saw battle during the Peninsula Campaign and at the Battle of Chancellorsville. In the summer of 1863, the 2nd Florida Infantry became a part of the Army of Northern Virginia and were, therefore, present at the Battle of Gettysburg.

At Gettysburg, Powell’s unit was part of Perry’s Brigade, which consisted of the 2nd, 5th, and 8th Florida Infantry combined. While the brigade was named for Brigadier General Edward Perry, a future governor of Florida, Perry had contracted typhoid fever during the Battle of Chancellorsville and was not present in Gettysburg. Instead, Perry’s Brigade was led by Col. David Lang.

Col. David Lang was Lewis Powell’s brigade commander during the battle of Gettysburg.

On July 1st, the first day of battle at Gettysburg, the 700 plus men of Perry’s Brigade did not see battle. They, as part of Maj. Gen. Richard H. Anderson’s Division, were too far to the rear to engage with the Union. By July 2nd, the Union forces had established a fishhook line around Culp’s Hill and Cemetery Hill just to the southeast of the city of Gettysburg. During that morning, Anderson’s Division had moved closer to the front and took refuge in a patch of woods running from Seminary Ridge southward. Perry’s Brigade was located just north of the Peach Orchard. At 6:00 pm, Perry’s Brigade advanced forward along with the rest of Anderson’s Division. They attacked Brig. General Andrew Humphreys’ Second Division, forcing the Union to abandon several artillery guns as they retreated. Despite the push and the large number of casualties the Confederate forces inflicted on Humphreys’ Division, they were not able to advance to Cemetery Ridge as planned. The Union Infantry on the slope of the ridge prevented further advancement. Union reinforcements pressed in on their right flank and made the ground Perry’s Brigade had gained untenable. Perry’s Brigade, and the rest of Anderson’s division, were pushed back into the woods that they started from.

After pushing the Confederates back, the Union advanced, “recovered the artillery that had been abandoned and captured many prisoners and held the position during the night.”

One of the prisoners that was captured by the Second Division was a wounded Lewis Powell who had suffered a gunshot wound to his right wrist. While we do not know the exact circumstances surrounding Powell’s wounding, it is safe to say that it occurred after 6:00 pm on July 2nd, as Perry’s Brigade was making either their advance or retreat. He may have fallen on the field and not been found until the next morning, as his records state he was captured on July 3rd. Regardless of the exact circumstances, Powell was now a wounded prisoner of war. After his capture, Powell was sent about 2.5 miles to the southeast to a field hospital that had been established by the Twelfth Corps on the farm of George Bushman.

The brick building which served as the main hospital at Bushman farm still stands today. Powell was one of about 1,200 wounded soldiers brought in for triage style treatment, with the majority of these being Union soldiers not Confederate prisoners of war like himself. Powell is recorded to have been a patient in the the 12th Army Corps Hospital on July 4th. On July 6th, Powell was transferred from the field hospital to the larger makeshift hospital that had been set up on the grounds of Pennsylvania College (now Gettysburg College). The Confederates had seized Pennsylvania College on the first day of battle and had converted one of the buildings, Pennsylvania Hall (also known as the Edifice), into their own field hospital. When the Confederates were forced to abandon the hospital, the Union took it over.

Penn Hall circa 1878

Penn Hall, 2017

Though Powell arrived at the Penn Hall hospital for his own recovery, before too long he found his position at the hospital expanded from patient to nurse. Even with his arm in a sling, Powell started to provide assistance to the doctors and stewards in their care for other wounded Confederates. During his service at Penn Hall, Powell was described as, “good at the work, and kind to the sick and wounded.” The fact that Powell had been previously laid up in other hospitals during his early military career no doubt helped him in his assumed position.

Lewis Powell is given the title of “nurse” on this register list of Confederates in Gettysburg hospitals.

The number of casualties from the Battle of Gettysburg brought in many more volunteers hoping to provide comfort to the wounded. One of these volunteers was a woman from Baltimore named Maggie Branson. Branson was a Confederate sympathizer and she traveled to Gettysburg specifically to tend to the wounded boys in gray. Branson was 30 years-old and unmarried. Over the course of July and August, Branson and Powell worked side by side in the hospital. At the end of August, the Penn Hall Hospital was shutting down. Powell met with the Provost Marshal who decided it would be a better use of the young Confederate’s abilities to continue his work as a nurse in a hospital rather than languish away in a prisoner of war camp. Powell was transferred away from Gettysburg and arrived at West’s Buildings Hospital in Baltimore on September 2, 1863. After only a few days in Baltimore, Powell was able to facilitate his escape. Though Lewis Powell’s exploits from this date onward would eventually bring him back into the military service of the Confederacy, when he did enlist again he did so under a new, assumed name (for that story click here). For the remainder of the war the muster rolls for the 2nd Florida Infantry would record Pvt. Powell as a prisoner of war.

In time, Lewis Thornton Powell would come into contact with John Wilkes Booth. The meeting between soldier and actor would start a series of choices that would change Powell’s life forever. It led the “kind” nurse of Gettysburg to savagely and ruthlessly stab a helpless man lying in his bed. It transformed Lewis Powell from one of the countless faces in the Civil War’s bloodiest battle, into one of the most infamous criminals in our nation’s history. In his final moments, as the Confederate stared at the rope which would strangle him to death in July of 1865, one wonders if Lewis Powell wished his end had come among the foothills of Pennsylvania in July of 1863 instead.

References:
Alias “Paine”: Lewis Thornton Powell, the Mystery Man of the Lincoln Conspiracy by Betty J. Ownsbey
Interactive Gettysburg Battle Map featured in A Cutting-Edge Second Look at the Battle of Gettysburg by Anne Kelly Knowles
The Battle of Gettysburg – Stone Sentinels: Perry’s BrigadeAnderson’s DivisionHumphrey’s 2nd Division, 3rd Corps

Categories: History | Tags: , , , | 9 Comments

Replica Booth Diaries for Sale Again!

Looking for that special gift for the Lincoln assassination aficionado in your life? How about a replica of the diary John Wilkes Booth used during his 12 day escape?

A few years ago, I assisted a prop maker named Pasquale Marsella to create near perfect replicas of John Wilkes Booth’s diary. Using photographs of the diary that were taken during the 1970s, Mr. Marsella was able to reproduce the interior of the diary with amazing detail. The interior of these replicas contained Booth’s own handwriting and duplicated the number of missing and torn pages exactly. Mr. Marsella created only a limited number of diaries and quickly sold out of them. I was fortunate enough to purchase one of the diaries, as did the Surratt House Museum, which keeps the replica on display in their visitor center.

Replica Booth diary on display at the Surratt House Museum

In the years since Mr. Marsella’s first run of diaries, demand for the replicas has been high. In 2015, I was contacted by producers at the Smithsonian Channel who were hoping to get their own replica diary for use in a documentary. I had to inform them that Mr. Marsella had no more left. Instead, I agreed to lend them my replica diary for use in their documentary, Lincoln’s Last Day:

Over the last few years I’ve had several other folks contact me hoping they could purchase diaries, and I sadly also had to inform them that Mr. Marsella had no more left and wasn’t making them anymore. However, Mr. Marsella has recently decided to do another run of his diaries which are available for purchase!

In this second run of diaries, Mr. Marsella has made some improvements from his earlier design. The new replicas utilize a higher quality leather which is softer and gives the diary an older look and feel than previous models. Further, Mr. Marsella is including a more accurate piece of brass on the outer part of the diary. During the last few years, Mr. Marsella has improved his technique for aging paper, giving these new diaries a more authentic “old” look to them. Lastly, the interior pockets marked “Postage” and ” Tickets” are no longer just sewn on displays, but fully functioning pockets like on the real diary.

One of Pasquale Marsella’s new, second run of John Wilkes Booth diaries

This second run of replica John Wilkes Booth diaries consists of only 30 diaries, several of which have already been sold. The limited amount is due to the time consuming process of detailing and tooling the leather, which Mr. Marsella does himself.

Mr. Marsella is selling his limited number of John Wilkes Booth diary replicas for $375 each plus $30 shipping. Payment is accepted through PayPal. Due to the nature of his work, Mr. Marsella will need 25 days from receipt of payment to complete each diary. If you are interested in purchasing a replica diary, please email Mr. Marsella directly at pasqualemarsella@yahoo.it and he will give you instructions on how to pay through PayPal.

If you have any questions about the diaries feel free to leave a comment below or email Mr. Marsella directly. As an owner of one of Mr. Marsella’s replica diaries, I can say that his workmanship is impeccable. I have used this diary as a prop during my own reenactments as John Wilkes Booth, I’ve brought it along with me to speeches, and I always carry it when I give the John Wilkes Booth escape route bus tour. You should see the interest in people’s faces when I pass around my handmade, Italian crafted (Mr. Marsella lives in Italy) replica John Wilkes Booth diary. Everyone on the bus enjoys leafing through the pages and seeing John Wilkes Booth’s handwriting duplicated exactly. They have no idea that the piece is so exactly duplicated that even the missing and torn pages in the replica match the real McCoy in the Ford’s Theatre museum. My diary has passed through many hands in the 4 years that I have had it and it’s holding up great.

Yours truly showing off his own replica Booth diary while presenting at the Abraham Lincoln Presidential Library in Springfield, Illinois

I truly enjoy giving Mr. Marsella some free advertising and assisting him in selling his diaries because he provides such a unique and well-crafted piece that you can’t get anywhere else. Get yours today before they’re gone once more.

Categories: History, News | Tags: , , , , , | 11 Comments

“You know best, Captain” The Executed Conspirators in Lincoln’s Assassination

On June 27, 2017, I was fortunate enough to return to the Abraham Lincoln Presidential Library and Museum in order to speak to their volunteers and members of the public. The topic of my talk revolved around the four conspirators who were executed for their involvement in John Wilkes Booth’s plot against Lincoln. The following is a video of that talk that the ALPLM was kind enough to put on YouTube:

In the process of researching and writing this speech I consulted many excellent books. Specifically, I’d like to point out the vital scholarship of Betty Ownsbey in her book on Lewis Powell and the research of Kate Clifford-Larson in her book about Mary Surratt. These texts are a wealth of information and proved invaluable in preparing for this speech. I would also like to thank Betty Ownsbey and Dr. Blaine Houmes for allowing me to use some of their images in this speech.

The day before the speech I gave a radio interview to WTAX, the local Springfield station, about the speech and my interest in the Lincoln assassination. It’s only about 5 minutes long and can be heard here: https://soundcloud.com/news-radio-wtax/6-26-17-dave-taylor-lincoln-assassination-expert-podcast

I’d like to thank the folks at the ALPLM for allowing me to come back and speak to their volunteers. I must admit that I definitely feel a strong sense of pride at being able to tell people that I’ve spoken at the Lincoln library. Kate and I had an amazing time touring the museum and being taken into the vault to see their treasures.

I hope you all enjoy the speech.

Dave

EDIT: For ease of access I’m also going to embed the video of my prior speech for the ALPLM in which I discussed John Wilkes Booth’s history:

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The Great Boothie Road Trip 2017 ©

Tomorrow, June 21, 2017, Kate and I are taking to the road on what we’re calling the Great Boothie Road Trip 2017 ©. It will be quiet here on the blog for next couple of weeks as we drive out to see family, friends, and of course, Boothie sites from our Lincoln assassination maps! A week from now we’ll be in Springfield, Illinois where I will be presenting at the Abraham Lincoln Presidential Library. As a follow up to my speech on John Wilkes Booth last summer, this year I will be speaking on the four conspirators who were executed for their involvement in Lincoln’s death . For those of you who live in the area and might be interested in attending this speech, the ALPLM has free tickets available to those who register. See this site to reserve your tickets: https://alplmfoundation.tix.com/Event.aspx?EventCode=978923 For those of you not in the area, the speech is scheduled to be recorded and I will let you all know when it is put online.

As excited as I am to be speaking at the Lincoln library once again, that speech will only be a small part of our multi-state road trip with many fascinating detours and stops. While we’re hoping to put up a full post about our adventures when we get back, I encourage you all to follow our exploits as we go via Twitter. You don’t have to be signed up for Twitter to see what Kate and I are tweeting. You can either visit my Twitter page, which is accessible by clicking here, or by watching the Twitter bar on this website. For desktop users, the Twitter bar should be somewhere on the right hand side and for mobile users, it should be near the bottom of the page. For those of you who do have Twitter, we are planning on using the hashtag #BoothieRoadTrip if you want to follow along.

Well, you’ll have to excuse me now because Kate and I have a scheduled departure time of 4:00 am tomorrow. It’s time for us to get some rest. We hope you’ll follow us as we experience the Great Boothie Road Trip 2017 ©!

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In the Words of Asia Booth

Asia Booth Clarke was the chronicler of the Booth family. In a few hours from this posting, Kate will be up at at Tudor Hall to give her first of two talks this year about Asia and her writings. The basis of Kate’s speech is the collection of letters Asia wrote to her life long pen pal Mary Jane “Jean” Anderson.

As Kate put the final flourishes on her speech, I decided to put together this animated .gif showing some of Asia’s words from her letters to Jean. Asia’s original letters to Jean are housed in the Maryland Historical Society in Baltimore.

If you are not able to make it to Kate’s speech this time around, she will be at Tudor Hall to give it again on October 8, 2017.

Lastly, if you want to learn a little more about Jean Anderson, here is a short and unfortunately shaky video I recorded at her grave in Green Mount Cemetery:

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John Wilkes Booth’s Acting Debut

On August 14, 1855, John Wilkes Booth, the seventeen-year-old son of the late, great Junius Brutus Booth, made his professional debut upon the stage. For one performance only, John Wilkes Booth performed the role of Richmond in the third act of Shakespeare’s Richard III at Baltimore’s Charles Street Theatre.

As shown by the above newspaper advertisements, the performance was part of a benefit for Booth’s friend and fellow actor, John Sleeper Clarke. Clarke had known John Wilkes and Edwin Booth from their shared boyhood in Baltimore. The three boys and a few other friends used to perform together in self produced children’s shows for their neighbors, dubbing themselves The Tripple Alley Players. Using makeshift costumes and borrowed props the boys would stage shows in back rooms, stables, or cellars charging their friends a penny for a ticket. These performances definitely made an impact on the boys as four of The Tripple Alley Players would grow up to become professional actors. Clarke’s real name was John Sleeper and he had been nicknamed “Sleepy” by his peers. Seeing how such a name would make him a subject of ridicule on the stage, he wisely chose the stage name of John Sleeper Clarke for the rest of his life.

John Sleeper Clarke

It is interesting to note that this performance was not only the debut of John Wilkes Booth, but also the first time Clarke performed in the play of Toodles. This comedy would later become a staple for Clarke and the role he was best known for. As a benefit performance, Clarke was entitled to all of the box office returns for that night after expenses, so the young actor was eager to draw in as many patrons as possible. Clarke heavily advertised the debut of John Wilkes, the son of the great tragedian Booth, in order to pull in the largest audience he could. Sadly, there do not seem to be any reviews in the days that followed about John Wilkes’ performance. Booth himself, however, was very happy with his performance. He had not told his family of his intentions to act on the stage for Clarke and so they did not witness his debut. Instead he came riding back to Tudor Hall after the fact to inform them. The story of his return is recounted in Asia Booth’s memoir about her brother and follows below. Please note that the following text demonstrates racial language and views which are not acceptable today but were held by John Wilkes, Asia, and most of the Booth family.

“Wilkes went for a brief visit to Baltimore, and on the day of his return I was under the low trees outside our grounds pulling mandrakes, gathering may-apples and dew-berries. Six little darkies, seven dogs, and a couple of cats who always followed the dogs, were my company. Our baskets were partly filled, and the clatter of hoofs sounding clear, I looked out from the bushes to see Wilkes returning on Cola. He came up rapidly then dismounted, while the dogs yelped and the cats rubbed against his legs, and the piping querulous voices of the darkies called out in the uproar, ‘How do, Mars’ Johnnie.’

He had a greeting for all and threw a packet of candies from his saddle-case far beyond where we stood, saying, ‘After it, Nigs! Don’t let the dogs get it!’ The never-forgotten bag of candies was longingly looked for by the blacks, young and old, whenever ‘Mars’ Johnnie’ came from town or village.

Turning to me, he said, ‘Well, Mother Bunch, guess what I’ve done!’ Then answering my silence, he said, ‘I’ve made my first appearance on any stage, for this night only, and in big capitals.’

He had acted ‘Richmond’ at the St. Charles’ Theatre [sic], Baltimore. His face shone with enthusiasm, and by the exultant tone of his voice it was plain that he had passed the test night. He had made his venture in life and would soon follow on the road he had broken. Mother was not so pleased as we to hear of this adventure; she thought it premature, and that he had been influenced by others who wished to gain notoriety and money by the use of his name.”

Mary Ann Booth was right on the money when she expressed her belief that Wilkes had been used for the sake of his name in his first performance. Clarke asked his friend to perform, literally, for his own benefit. Even from early on, Clarke understood the power in the Booth name and sought to gain from it. Later he would go into business with Edwin Booth and then come into the family by marrying Asia. However, even if Clarke’s inclusion of John Wilkes as an actor stemmed from his own self-interest, he did help foster the young man’s growth. When the next theatrical season began, Clarke got John Wilkes a job as a stock actor in Philadelphia. From here Booth would start down the road of learning his craft. Thus, it is from this minor performance in Baltimore’s Charles Street Theatre, that John Wilkes Booth’s career as an actor began.

References:
John Wilkes Booth Day by Day by Arthur F. Loux
John Wilkes Booth: A Sister’s Memoir by Asia Booth Clarke edited by Terry Alford
Newspaper extracts from Genealogybank.com

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Grave Thursday: The Montgomery Theatre

Each week we are highlighting the final resting place of someone related to the Lincoln assassination story. It may be the grave of someone whose name looms large in assassination literature, like a conspirator, or the grave of one of the many minor characters who crossed paths with history. Welcome to Grave Thursday.


The Montgomery Theatre

Burial Location: 39 S Perry St, Montgomery, Alabama

Connection the the Lincoln Assassination:

For this week’s Grave Thursday we are dealing with the death of a place, rather than a person. The place is the old Montgomery Theatre in Montgomery, Alabama which is currently in the final phases of demolition.

In the fall of 1859, Colonel Charles T. Pollard, president of the Montgomery and West Point Railroad, commissioned the construction of a new theater in Montgomery, Alabama. The brick contractor was B. F. Randolph who used his female slaves as the laborers for the theater’s masonry and plastering. By October of 1860, the large and stately Montgomery Theatre was completed. The first lessee and manager of the theater was Matthew Canning, who opened the theater with his troupe of actors on October 22, 1860.

Matthew W. Canning

22 year-old John Wilkes Booth was part of Matthew Canning’s troupe of actors.  Booth’s tour with Canning was his first as a star performer. Prior to this he had been learning his craft in Philadelphia and Richmond. Attempting to succeed on his own talents rather than his prestigious family name, he had been and was continuing to be billed “J. B. Wilkes” or “John Wilkes”.

When the Canning troupe presented the grand opening performance of the show, School for Scandal, at the Montgomery Theatre, John Wilkes Booth was not present. Ten days earlier, when the troupe had been in Columbus, Georgia, Booth had suffered an accidental gunshot wound to his thigh. Though stories differ, the most reliable account holds that Booth and Canning were attempting to clean a pistol when the weapon accidentally discharged. This gunshot wound ended Booth’s performances in Columbus and caused him to sit out most of his starring performances in Montgomery as well.

John Wilkes Booth finally made his debut at the Montgomery Theatre on Monday, October 29, 1860, when he performed as Pescara in The Apostate. He would perform for the rest of the week before closing his engagement to recuperate further. John Wilkes Booth was resting in Montgomery, Alabama when Abraham Lincoln was elected the 16th President of the United States on November 6, 1860.

On November 16, Booth returned to the stage of the Montgomery Theatre in a benefit performance for his fellow actor, Kate Bateman. Booth played Romeo to Bateman’s Juliet.

The troupe’s final day at the Montgomery Theatre was on December 1, 1860 in a benefit performance for Booth himself. Booth performed in a two act play called Rafaelle, the Reprobate, and then his fellow actor, Maggie Mitchell, performed in Katy O’Sheal. The evening was ended with Booth performing the titular character in the fifth act of Shakespeare’s Richard III. This performance marked the end of Booth’s engagement in Montgomery but it also marked a new beginning for the young actor. It was on the stage at the Montgomery Theatre that John Wilkes Booth reclaimed his true name and was billed as J. Wilkes Booth. From this day onward, the actor would always use his true name.

John Wilkes Booth would never return to Montgomery, but the beautiful theater he helped to christen would continue to operate for many years. Edwin Booth would perform on the same stage in 1876, 1882, and 1888 along with countless other luminaries of the stage.

After 47 years of operation, the Montgomery Theatre was closed on November 13, 1907 when a newer, grander theater was opened in the city. The old theater’s interior was remodeled into a department store but the outside retained its original construction. The Webber department store lasted until the 1990’s when it finally closed. After a few years the building was bought by a foundation which paid almost half a million dollars to replace the roof. In 2010, the foundation sold the building to a developer who planned to restore the structure and create retail and housing space within the interior. Unfortunately while work was being done to restore the building in June of 2014, the structure suffered a partial collapse.

Though the hope was that the restoration would continue, the owner of the building didn’t have the funds to continue after the collapse. The ownership of the building reverted to the city of Montgomery in December of 2014. The city valiantly made efforts to find a buyer willing and financially able to restore the structure, offering to sell structure for $1 to any developers who would restore it. In the end, however, the city could not find a buyer with the means to restore the building. The property was sold off and slated for demolition which began in late 2016. Here is how the building looked on March 30th of this year:

Though the Montgomery Theatre building could not be saved, deconstruction of the building has been slow to allow for the salvage of some of the structure’s cast iron, bricks, and masonry pieces. Some of the windows of the theater are also being saved and will be given to the local historical society.

Despite the loss of the Montgomery Theatre building, the history of the site will not be lost. There is a historic marker that will be returned once construction on the site is completed. In addition, the company that is redeveloping the property has vowed to, “include a plaza and information to recognize the building’s history.”

I want to close this post with the words of an old time Montgomery resident by the name of Frank P. O’Brien. O’Brien was present the night the Montgomery Theatre opened in 1860. When the theatre closed in 1907 he gave his reminiscences of the many plays and actors that had graced its stage. At the end of the article, O’Brien stated the following words, which are very fitting today:

“Wednesday night, November thirteenth, the curtain was ‘rung down’ in the old play-house to give way to one of more modern construction. The soft glow of unforgotten scenes alone is left to me, and many whose hearts have throbbed with hope for future years, as nightly we ascended the broad stairs from the street to listen to and witness scenes of comedy, music, and tragedy. Thus is marked the passing of the glory of the old Montgomery theatre…There is not one of us who has not gone up the wide stairs loving, and come down them loving the more. There is not one of us who has not left some weight of the soul there and never returned to claim it.

Vale! old house, the ghostly shadows of scenes long to be remembered will continue to hover within thy hallowed walls ’till the inevitable march of progress hastens thy destruction.”

GPS coordinates for the former site of Montgomery Theatre: 32.378385, -86.307671

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