Following the Escape Route: Dent’s Meadow

Yesterday, I visited Dent’s Meadow, the spot where John Wilkes Booth and David E. Herold first set across the Potomac River.  What follows is the short video clip that I made while standing on that Maryland shoreline:

Further images will come later as I complete a Crossing the Potomac Picture Gallery. In the meantime, here is an animated image of the spot in 1901 and now:


EDIT: One reader was a little confused regarding the location where I shot my video versus the location of Henry Woodland in the photograph taken by Osborn Oldroyd in 1901. I created this little map to hopefully alleviate that confusion:

Dent's Meadow Map

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10 thoughts on “Following the Escape Route: Dent’s Meadow

  1. Richard Sloan

    Great idea to superimpose the woodcut of Booth & Herold over Dent’s Meadow! I am confused and disoriented, tho, about those piers in the water. . Your clever back n forth shots of Henry Woodland standing there, then and now, shows a pier jutting out on the north end of Dent’s Meadow. But it’s not there in your video! I don’t get it. A similar pier stands on the south end of Dent’s Meadow in your video. Please help me to figure this out!

  2. Steve Dixon

    Another fantastic travelogue, Dave! Did you find it difficult to get down to the shore (and back up)? Was it difficult to get permission from the Jesuits? Great job with the photos.

    • Thank you, Steve. I had actually visited the shoreline the day before I shot this video. Sadly, on that trip I had come during high tide and there was hardly any beach for me to walk on to get to the correct spot. I consulted a tide chart and came back the next day. The Retreat House was very kind and once I explained my reason for visiting they were gracious enough to let me visit, provided I didn’t disturb the retreat participants. There is a partial path for some of the way down but it is certainly tiring coming back up.

      • Steve Dixon

        Dave – I trust you are now scouting around for a 14′ flatboat, a compass and waiting for a dark and dreary night…….

  3. Robert W. Cook

    When (New Jersey Shakespeare Festival Theatre founder and Artistic Director) Paul Barry and I sailed (quite close) past the Indiantown Farm slave cabin in 1989, it was a complete ruin and we could see that there was very little of the structure (additionally) to see by making landfall there that we couldn’t see from the water. I did, however, take a photograph or two of it from the Sunfish sail boat in which we traversed the entire 22-mile JWB Potomac River portion of the escape route that time. Also, like King’s Creek, the site was unsuitable for the campsite that we were seeking since both the structure itself (unlike now) and the King’s Creek shoreline were almost completely overgrown and surrounded with underbrush and tree growths.

    I believe (as did our advisors, Mr. James O. Hall and Mike Kauffman at the time) that The Guys went all the way up and into Burgess Creek and made landfall there; hence, our making camp in 1989 at/on the piece of land between Gumtree Cove and the creek itself which was so completely silted up that a boat could not be taken into it. Otherwise, Paul and I would have camped a little farther up and further into the Burgess Creek area. Close enough and as near to the JWB/DEH area as we could get, though.

    Paul and I, I believe, only sailed past (the very narrow) Gambo Creek in 1989 following our overnight stay (in a small but quite comfortable pup tent at the Gumtree/Burgess site in 1989) but we subsequently encountered the same silted up problem (as at Burgess) approximately 100 feet or so into Gambo Creek when we boated into it (also taking photographs the entire time) in 1990 on a return exploration of the Virginia shore and Machodoc Creek portions of the escape route via (a superb) Canadian canoe that the owner of the Aqua-Land Marina adjacent to the Harry W. Nice Bridge on the Maryland side was generous to loan us – complete with paddles and life jackets – free of charge for several days for our JWB research. At present, one can only view Gambo Creek (except from the Potomac) from a very easily-missed area at the side of Route 301 through a Dahlgren Weapons Laboratory chain-link security fence – which still is a nice view, though.

    We also were not able to access the area where the large tree was where DEH left JWB alone for a while during Herold’s initial visit (also alone) to Mrs. Quesenberry’s informing her that they were there and needed aid. The site where the tree once stood is on the grounds of the (restricted access) Dahlgren Weapons Laboratory area and is where the large communications tower at the D.W.L. is now situated

    I recall that Mr. Hall was particularly interested in seeing the photographs of the Potomac River JWB-related sites that I took from the river during our 1989 and 1990 excursions and had asked me (beforehand) to take as many photographs from the water as I could (and which I did) since he had no from-the-river views of the sites in his files at the time.

    Robert W. Cook
    Bryantown, Maryland
    10 August 2013

  4. Laurie Verge

    I enjoyed Bob Cook’s posting because I still have some reservations about the layout of Indiantown Farm. Do we have any indication that the current house with the great view dates to 1865? Unless there is a smaller structure hidden underneath all those layers (as is the case with Mrs. Quesenberry’s “Cottage” today), I think we need to do more investigation.

    I also have reservations about the current “slave cabin” being a slave cabin at all, even if it was there in 1865. I thought the exact same thing when I first saw the dilapidated version that Mike Kauffman found years ago. Frankly, it was just plain too big. Slave cabins in Southern Maryland were typically one room dwellings – even if occupied by several families. To have an enclosed stairway to a second floor would also be unusual. A “second floor” was usually a loft area with a ladder and very meager floor space extending about half-way over the first floor.

    The catslide roof configuration also concerns me as being atypical of a slave cabin. The vertical siding that is on there now is certainly not original and is more typical of German siding that came into vogue in this area post-Civil War. It also seems to be too close to the main house (if both of them are on their original sites).

    I just have a feeling that this cabin post-dates the slavery period in Southern Maryland and was most likely a tenant house. When I was growing up, our family owned several farms that had four structures very similar to this (but with a regular second story roof). The three steps up to the door to get upstairs was in each and every one of those structures (all built about 1880) and was generally tucked in one corner of the common room or the kitchen. All of our tenant houses were two rooms down and two rooms up.

    Dave – I just realized that I should have posted this under the Indiantown Farm section. Can you make the change?

    • Laurie Verge

      I must apologize on one thing about the construction of the cabin. I don’t know why I thought the siding was laid vertically in German style. It is traditional horizontal mounting. Most early cabins were log and daubing construction, however.

  5. Eden Gorst

    I’m a student, and I’m doing a map project (on Google custom maps) about the escape of John Wilkes Booth. I really loved your video, so I copied the URL and put it in my map. Thanks for the help!

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