Posts Tagged With: Witnesses

“An old codger like me”

Today, my grandfather celebrates his 94th birthday.  The son of an Irish immigrant and his Illinois born wife, my grandfather was educated at Illinois Wesleyan University, served as a Captain in the Marines during WWII and Korea, and raised a family of three boys with my grandmother.  To me though, he has always been Umpa: the devoted church going grandfather who would take me fishing and was always working his garden.  I never knew until I was older that he was a Marine and while he would openly tell me stories about the war, it always brought tears to his eyes.  My grandfather taught me that war was always a regrettable thing even when it is justified.  He was proud of his service to his country but would never glorify what he had experienced.  Nowadays, his life has slowed down quite a bit.  He talks less, sleeps more, but is still the kind and inquisitive grandfather I’ve always known.  Unfortunately, he will be spending this birthday in the hospital.  I’ve logged about 18 hours with him over the last two days after a recent medical setback.  As a 94 year-old, it is to be expected.  Nevertheless, he still enjoys sharing one fact about his life with the nurses that always throws them for a loop.  When asked where he was born, he answers truthfully, “Nani-Tal, India”.  The nurses briefly stare at him, before turning to us, his family members, with a worried look that this characteristically Caucasian man has gone senile.  We of course respond in the affirmative, and recall how his parents were missionaries and that he and two of his siblings were born in India.  My grandfather was almost three years old, when the family returned to America.  His memory of India is now just a few Christian hymns in the Hindi language that he sang as a child.   Nevertheless, he can still recall all the lyrics to “Jesus Loves Me” in Hindi.

My 94 year-old grandfather’s ability to remember one of his earliest experiences, mirrors that of another 94 year-old man who recounted his experience of Lincoln’s assassination.

Many of us have seen the following episode of the TV show, I’ve Got a Secret which aired on February 9th, 1956.  In it, the American viewing audience is presented with the last surviving witness to Abraham Lincoln’s assassination, 96 year-old Samuel J. Seymour of Baltimore:

In the video, the host mentions that they learned about Mr. Seymour due to an article written by him in The American Weekly magazine.  That article was published on February 7th of 1954, when Samuel Seymour was 94 years old.

After some searching, I found the original article by Mr. Seymour and transcribed it from the newspaper record.  Here it is in full:

I Saw Lincoln Shot

By Samuel J. Seymour

As told to Frances Spatz Leighton

The only living witness re-creates the drama of that tragic night

This is an eyewitness account of one of history’s great tragedies – the assassination of Abraham Lincoln – told by the only living witness to the fateful drama enacted at Ford’s Theater on the night of April 14th, 1865 – THE EDITORS

Even if I were to live another 94 years, I’d still never forget my first trip away from home as a little shaver five years old.

My father was overseer on the Goldsboro estate inTalbot County, Maryland, and it seems that he and Mr. Goldsboro has to go to Washington on business – something to do with the legal status of their 150 slaves.  Mrs. Goldsboro asked if she couldn’t take me and my nurse, Sarah Cook, along with her and the men, for a little holiday.

We made the 150-mile trip by coach and team and I remember how stubborn those horses were about being loaded onto an old fashioned side-wheeler steamboat for part of the journey.

It was going on toward supper time – on Good Friday, April 14th, 1865 – when we finally pulled up in front of the biggest house I ever had seen.  It looked to me like a thousand farmhouses all pushed together, but my father said it was a hotel.

I was scared.  I had seen men with guns, all along the street, and every gun seemed to be aimed right at me.  I was too little to realize that all of Washington was getting ready to celebrate because Lee has surrendered a few days earlier.

I complained tearfully that I couldn’t get out of the coach because my shirt was torn – anything to delay the dread moment – but Sarah dug into her bag and found a big safety pin.

“You hold still now, Sammy,” she said, “and I’ll fix the tear right away.”  I shook so hard, from fright, that she accidentally stabbed me with the  pin and I hollered, “I’ve been shot!  I’ve been shot!”

When I finally had been rushed upstairs, shushed and scrubbed and put into fresh clothes, Mrs. Goldsboro said she had a wonderful surprise.

“Sammy, you and Sarah and I are going to a play tonight,” she explained.  “A real play – and President Abraham Lincoln will be there.”

I thought a play would be a game like tag and I liked the idea.  We waited a while outside the Ford Theater for tickets, then walked upstairs and sat in hard rattan-backed chairs.

Mrs. Goldsboro pointed directly across the theater to a colorfully draped box.  “See those flags, Sammy?” she asked.  “That’s where President Lincoln will sit.”  When he finally did come in, she lifted me high so I could see.  He was a tall, stern-looking man.  I guess I just thought he looked stern because of his whiskers, because he was smiling and waving to the crowd.

When everyone sat down again and the actors started moving and talking, I began to get over the scared feeling I’d had ever since we arrived inWashington.  But that was something I never should have done.

All of a sudden a shot rang out – a shot that always will be remembered – and someone in the President’s box screamed.  I sawLincolnslumped forward in his seat.  People started milling around and I thought there’d been another accident when one man seemed to tumble over the balcony rail and land on the stage.

“Hurry, hurry, let’s go help the poor man who fell down,” I begged.

But by that time John Wilkes Booth, the assassin, had picked himself up and was running for dear life.  He wasn’t caught until 12 days later when he was tracked to a barn where he was hiding.

Only a few people noticed the running man, but pandemonium broke loose in the theater, with everyone shouting:

“Lincoln’s shot! The President’s dead!”

Mrs. Goldsboro swept me into her arms and held me close and somehow we got outside the theater.  That night I was shot 50 times, at least in my dreams – and I sometimes still relive the horror of Lincoln’s assassination, dozing in my rocker as an old codger like me is bound to do.”

Of the many firsthand accounts given in books (like We Saw Lincoln Shot by Timothy Good) I prefer this one by Mr. Seymour.  There is an innocence in his account that can’t be found anywhere else.  While Major Rathbone and others give more details regarding the actual event, young “Sammy” gives a unique perspective.  We become more connected to this child and his young life.  We can empathize in his sense of uncertain fear and even feel the disappointment he must have had when he experienced what a “play” truly was.  Most of all, I marvel at Sammy’s kindness and compassion.  Ignorant of the context of what had occurred, this boy only wanted to help the man that fell.

Mr. Seymour died two months after his appearance on I’ve Got a Secret, possibly related to his fall the day before the show.  He died on April 13th, 1956, just a day shy of the anniversary of the event he witnessed.  Mr. Seymour is buried in Loudon Park Cemetery in Baltimore, MD.

References:
We Saw Lincoln Shot by Timothy Good
Mr. Seymour’s article in The American Weekly
Roger Norton’s Abraham Lincoln’s Assassination Research Site has a nice picture of Mr. Seymour

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Thoughts From Major Rathbone

When Booth’s dark deed was committed at Ford’s, no one had a closer seat to the action than the occupants of the theatre box. Mary Todd Lincoln, Clara Harris, and her fiancée and stepbrother Major Henry Rathbone, had the horror of watching the scene play out within arm’s length. Shortly after the crime, Henry Rathbone gave a lengthy and detailed statement recalling the events as he remembered them. Rathbone’s account (which can be read here) provides a wonderful description of the scene of the crime and his activities after the shot was fired. While a re-reading of Rathbone’s account doesn’t provide any ground breaking new claims, it does contain a few details worthy of address and consideration. This post will discuss two minor details set forth by Rathbone in his testimony.

Major Henry Rathbone and Clara Harris (composite by the author)

After Booth shot Lincoln, Major Rathbone, alarmed by the report of a pistol and cloud of powder in the box, raised himself and attempted to subdue the assailant. During the struggle Booth thrust at Rathbone with his knife, which Rathbone parried upwards. In the course of this parry, Rathbone received a deep cut on his left arm between his elbow and his shoulder. It was a painful blow that knocked Rathbone back a bit. At this moment, free from grappling with Rathbone, Booth moved to the front of the theatre box, and leapt over it.

Many witnesses at the time said that Booth’s jump from the box was a noticeably ungraceful one. One eye witness account stated that, “He did not strike the stage fairly on his feet, but appeared to stumble slightly.” Immediately following the events, several others described similar stumbles Booth made upon reaching the stage.

A quite ungraceful engraving of Booth’s jump from the box

Granted, the distance he leapt was twelve feet off the ground and it can be a hard landing for any man to make properly. In his act of jumping, Booth disturbed the flags decorating the box. This, of course, makes perfect sense. The flags decorating the box were merely attached to the outside and weren’t expected to be moved during the President’s attendance. Instead of jumping straight from inside the box down to the stage in a hurdler’s motion, Booth likely leapt over the railing of the box, paused briefly on the small ledge on the other side, and then jumped down. This small ledge is where many flags were resting and draped about. A witness at Ford’s described that, during the jump, Booth, “partially t[ore] down the flag”.

Photograph of the box shortly a day or two after the assassination. Notice the partially pulled down flags.

Another witness had a similar account about his riding spur getting caught up in the decorations, causing his awkward fall. The American mythos of the assassination states that, while jumping, Booth was tangled in an American flag causing him to land poorly onto the stage and breaking his leg. In his diary, the vain Booth, probably attempting to save face for his less than perfect “performance”, claimed that in jumping from the box he broke his leg. Most Boothies accept this as fact while also entertaining the idea set forth by author Michael Kauffman that Booth broke his leg later that night, when his horse fell on him during the rough ride south. With it being impossible to prove one theory over another, historians just pick the idea they like better and concede that differences of opinion exist on the matter.

What is not really debated is that Booth fell uneasily upon the stage, making one of his worst entrances ever. While the flags generally receive the attention for causing Booth’s missteps, Rathbone’s account provides another possible reason:

“The man rushed to front of the box and [I] endeavored to seize him again but only caught his clothes as he was leaping… The clothes, as [I] believe, were torn in this attempt to seize him.”

While Rathbone gets credit for struggling with Booth and sacrificing his own arm attempting to subdue him, is it possible that Rathbone was also the reason Booth landed so hard upon the stage? As Booth was making his jump, could the grasp of Major Rathbone on his clothes have thrown the actor’s balance off and caused his clumsy landing? Further, if this is indeed when Booth broke his leg, effectively slowing down his escape, could it be Rathbone and not the flags, that deserve the credit? These questions and the overall scenario produced by them are merely items to contemplate and I make no claims of them being in anyway definitive.

A second item Rathbone mentions in his testimony is about the set up of the box itself. From the beginning Rathbone gives a wonderful description of the box and the locations of the parties therein. From his description the following diagram of the box seems to correct display the set up:

Booth entered the box through the outer passageway door marked H on the diagram. Remember, during normal nights the box in which the President’s party occupied severed as two boxes. A partition would separate it into two smaller boxes. That is why there are two doors inside the passageway. The door marked as G, was actually the closest door to the President, but was closed during the whole night. It was the entrance to Box 7. The Presidential party and Booth all entered the box through door F. That was the door to Box 8.

This inner door to Box 7 is on display at in the Ford’s Theatre Museum.

This door has a unique feature as it has a peep hole bored into. For many years it was written that this hole was bored by John Wilkes Booth on the morning of the assassination. After learning about Lincoln’s attendance that night, Booth did enter the theatre and found a wooden bar with which to jam the outer door so that it could not be opened. The wooden bar can be seen in the above picture sticking out from the bottom of the door. It was assumed that during this prep work, that he also bored a hole into the door in order to have an eye on the President before entering the box.

A letter written by Frank Ford (son of Harry Clay Ford, the theatre’s treasurer) denounced this idea. Frank stated that his father ordered the hole to be bored into the door so that the President’s guard, and others employed in their duties for the government or theatre, could look in on the President and his party instead of barging in straight away and disturbing them. Frank quotes his father as saying, “John Booth had too much to do that day other than to go around boring holes in theatre doors.” However, a period statement from Harry Ford has him saying, “Did not notice a hole in the door or in the wall. Did not take particular notice of the wall or door however.” So the mystery regarding the hole remains.

Even if this hole was bored at the bequest of the Ford’s, Booth still used it to eye the President before making his move, right? Not necessarily. According to Rathbone:

“The distance between the President as he sat and the door was about four or five feet. The door, according to [my] recollection, was not closed during the evening.”

Rathbone claims that the door to Box 8 was never closed during the performance. If this is the case, Booth may not have used the peephole to spy on the President through Box 7. After entering the passageway door, Booth stealthily put the wooden bar in place to “lock” the outside door, and either peered through the slightly open Box 8 door into the box, or just waited until the lines of the play were right to bust in and get his first real view. With all eyes directed on stage and not towards the rear, it seems that Booth could have been standing in the shadows of the passageway eyeing the President for some time before he acted. If Rathbone is to be believed and the door was open during the performance, the image of Booth before he shot Lincoln could change. Instead of a man hiding behind door 7 nervously peeking at his target through a hole, Booth becomes a shadowy figure, standing motionless in the doorway to box 8 eyeing his prey. To me the latter image is in line with Booth’s brazen persona. He brought an unreliable single shot derringer to kill the President, assured that he would succeed. I have no problem picturing this arrogant Booth, lurking near an open door a few feet away from the President, coiled like a viper waiting to strike.

Again, these small pieces of Rathbone’s account are posted here merely to initiate contemplation and conversation. Feel free to post your thoughts about them by clicking on the “comment” button below.

References:
The Lincoln Assassination – The Evidence by William Edwards and Ed Steers
We Saw Lincoln Shot by Timothy S. Good

Categories: Uncategorized | Tags: , , , | 11 Comments

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